heisenberg starts 2017 with a carefully selected 3 track compilation. all tracks are tested and approved on the deepest floors! as usual its vinyl only! no digital release, promos or shares! 180g. blue-transparent vinyl. a1 comes from the rising german artist reyam and u better keep an eye on this guy! b1 made by our homies adjustment bureau, guys already released vinyls at pleasure zone, hypertone, body parts and more. full b-side goes to jamahr & riciar ghir and for their long waited track >indisponente<.

deadly raw house jams! after five vinyl only releases on rough limited its time for the next >rough cutz<! the whole package is a nice mixture of 4 amazing artists we really like. we support these guys with much love and a vinyl only release on rough limited. on the a side georgi barrel from kassel made this superb lofi-house track >again< and our good friends from hannover max & dennis aka. dub jamz also show up with their new track >pushin<. on the b side we ve two new family members thomas wood from switzerland and maximiljan from düsseldorf. thomas made this really deep & groovy track >right on< and maximiljan produced with >break fm< a solid atmospheric breakbeat track. enjoy!

ltd nioce price deal, 50% off , max 1 copy per customer...
more than often, musicians feel that releasing music is giving birth to a baby but no one knows better than women. stefny winter realizes a dream by putting out a collection of meaningful tracks, all made in various important moments of her life. more so, some of the tracks were made while she was pregnant, making this project even more special to her. coming from the 90s as a dj who would juggle between styles, stefny explores with no compromises or time stamp, her various tastes through time. >wind walker< becomes a savory collage of music that wont really stick to standard styles but will become familiar to any ears. limited color-vinyl pressing (one transparent, one white/grey marbled).

nice price deal !!! though the vast, wide-open music made by fall on your sword is made to underlie the visual images that flicker across a film screen – to enrich and inform the storytelling and further the emotional depth of the sights before our eyes – the songs of foys often seem to have their own expressed narrative. the soundtracks made by will bates and phil mossman move through moods and traverse a range of emotional environs, and seemingly possess their very own story arcs, conveyed in musics notes and tones instead of the filmic language of images. -the first time i saw jupiter- and -rhodas theme-, both extended mixes of songs featured in the film another earth, are a good place to start to see the duos ability to create a feeling and place through song. both compositions lead the listener by the ears through expansive soundscapes and textured sonic landscapes

nice price deal !!! we are pleased to present the newest tech house release by max brannslokker on his own label spanda records. 4 brilliant sounding tracks spiced up with 70-80s electronica hooks and new milleniums trancey vibes. eclectism in its pure form! max brannslokker is latvian electronic music artist and dj currently based in germany. he has proved his talent by making releases on different european and american labels, including kostbar music, globox, i220 and defchild productions. beside that max has made numerous remixes and his tracks appear on compilations of dfa, minisketch, eintakt, unfoundsound and other labels.

chineurs de house series are made in the continuity of the eponymous facebook group. the goal is to discover and travel through all the sounds of house music and its derivatives. « cimetière du hifi » or « hifi cemetery » is focused on the lofi movement, mostly embodied by fresh and young upcoming producers like raär, slim steve and yancitygurl whom we’ve chosen to trust on this release.

device control is jake reifs new solo production outlet which draws equally from the pools of early wax trax and medusas with the hybrid pit jack of early farris or rush. machine made yet with a soul, all four cuts are for the true hyper jackers on the floor, tested and recomended. born in new york and spending his formative years in the mid-west, jake reif has served time amongst some of the best, producing alongside both mystic bill as well as reade truth releasing well recieved 12s on rong music and a break out remix on snuff trax in recent years. back in the day you could catch jake clocking hours working at sonic groove records among a motley crew of heavy hitters whilst honing his talents.

daniele di martino now comes back with an ep that is made for long and dark nights in the small clubs. therefore, di martino goes back to his roots by creating straight deep house combined with a pushing bassline, as he does in the original version of faust - providing a result that is perfect to be played somewhere in the deepness of the night when there is no time for hesitation. the second track different comes a bit more melodic, includes vocal snippets and leaves space to breathe und feel - while the bass is as dark, it could dig an aisle in the middle of the dancefloor.

2016 repress ... *in love again* first surfaced as part of red rackems *all i ever wanted ep* in 2010 becoming an underground smash. soulful vocal samples, and beautiful detroit strings work uniquly in the wolf style that we come to expect. the new remix is uptempo, with skippy drums, and a deep warm feel. this tweaked mix is made for underground dancefloors. the b side features a brand new track entitled *latin techno*, which combines filtered chopped up loops layered over huge beats. another successful release for red rackem and a fine return to form for wolf music.

no repress, one copy per custumer and made with love – otherwise they would have eaten us alive! handstamped innersleeves & labels. polaroid cover

kdms, the duo made up of london singer/songwriter kathy diamond and silesian producer max skiba, return with a brilliant sophomore album of club anthems and torch songs, synthetic beats and live instruments. the new old normal, out 9th december, follows their debut album kinky dramas & magic stories on gomma.

steve spacek returns to eglo records after making his label debut with the summer smash follow me. the lewisham born singer/producer continues to innovate, utilizing the latest technologly (he made these two tracks on an ipad) to push his unique london style from his new home in sydney nsw. if u wan 2 find me is a celestial slice of vocal footwork/soul, with spacek offering his own zero gravity take on the chicago sound. bside time is running out completely switches up the tempo, this stripped back techno bubbler feels like the soundtrack to a late night cruise around the red planet. signature spacek swing and acid bounce througout. steve spacek remains one of the most unique and versatile artists from the uk, born out of londons soundsystem culture his fearless and forwarding thinking approach to music and technology has made him impossible to pigeon hole. consistently on the cutting edge of new evolutions in sound and style.

new years deal - another genre bending release on the healing company. modern sounding wave vibes and a great break beat loaded track on the flip that wont do harm to any good dancefloor!. -an ancient puzzle of mystification and nostalgia, waiting for the listener to unravel the mystery, but never offering enough clues to do so. while an ever-growing mass of synth layers and bulbous basslines flow across these two tracks, it never comes off as too clean, instead relying on the occasional detune or bitcrush to remind you it s being made by humans, not a machine.-

rare brazil album made available again through mr bongo, incl. voce abuso & kabaluere. nice! a truly fantastic record that sounds the way it looks – psychedelic rock, samba-funk and tripped out mpb. features kabaluere as sampled by marcelo d2 on his hit qual e. arranged by rogerio duprat, featuring legendary guitarist lanny gordin. antonio carlos & jocafi were a very successful and famous brazilian writing duo, born in bahia. they worked with the likes of wilson simonal, rosinha de valença, trio mocotó, milton banana, toquinho and more. originally released on rca brazil in 1971, this was the duos debut lp. two versions of the album cover exist in brazil – this, the psyched-out, burnt out version, and a much less exciting photograph of the chaps, pressed to include the single desacato which became a popular hit in brazil and several european countries.

nice price deal !!! ryota o.p.p aka ryota arai delivers his debut album pale lux for meda fury. ryota is based in tokyo at the nexus of the japanese house / future disco scene, alongside cohorts such as cos/mes, inoue shirabe, and kza he blends eastern mysticism, jazz spirituality, and cosmic disco with classic 4:4 rhythms. a highly respected dj, promoter and producer the opaque discoid-stomp of his future life ep marked him out as an original oddity but a vital new voice in the now global electronic music community, but with pale lux hes enlarged the scope of his musical canvas to incorporate new fresh textures and atmospheres. as meda fury head honcho nick williams explains: future life was built from some quite dark, abstract demos, some of which ended up being a bit overproduced for his self made debut cd only album. the pale lux lp is a ryotas fully realised eclectic vision, with a mood that is more optimistic and playful - much more reflective of his personality.pale lux indeed has a real narrative flow - dance floor tracks such as the chunky balearic vibes of wood, and banging future techno of bird flying over the rainbow nestle alongside home listening ambience witness the backroom/chill-out vibes of origin, the cute hip hop bounce of soft touch or the delicate trinket box chimes of outro drops. oscillating between light and shade, slow and fast, the influence of japan s history and native instrumentation runs right through the record, his fascination with balearic, disco, deep-house, hip hop, ambient and blunted beats parcelled into a glorious, sweetly considered listening experience.

after various releases on weevil neighbourhood, two of the label’s key figures, anthone, who made a first appearance in 2012 with the “aloof” ep and “double dub / clear view” as well as “breath/lungs” in 2014 and katsunori sawa, who debuted with the “lr” ep in 2011 together with yuji kondo as steven porter and later released “the two legs” (2013) as well as “holy ground” (2014) as a solo artist, team up as bokeh for their first collaborative outing dubbed “peace obscured”. the release comes as a 12” ep combining both artists trademark musical vocab - industrial dub and noise influenced techno - resulting in a three tracker of relentlessly driving bottom end rave. black vinyl, limited edition, artwork by lee noble (no kings records/ bathetic).

just a year after their fabulous ‘holysheep’, containing the hit ‘psnl’ and ‘fiat 500’, cheaper shepherd are back with a second ep for forecast label, made of the same old-school house fibers. written in record time, the three tracks swing between french house, filtered hip-hop samples and instrumental disgression, played by real hands on real keyboards, that real music lovers will adore.

kidnap kid kickstarts his new label with an anthemic and emotive production that is arguably his best to date.&#8203,,birds that fly &#8203,,is an indelible cut thats timeless in nature. its accelerated by an equally moving and slick production, moments feat leo stannard&#8203,,, a captivating classic in original form as well as the paired instrumental mix. after releasing on a number of great labels over the past few years, i m excited to have one to call my own. birds that fly was born of the need for a home that felt in harmony with my musical aesthetic. im looking forward to releasing the music i love over th&#8203,,e years to come. kidnap kid kidnap kids versatility is what shines here. treading a winding path, he originally made his home on the black butter label, but has since spread his wings to encompass a more underground aesthetic. this journey has led to the conception of &#8203,,birds that fly a home for his own and other likeminded producers and a platform that will no doubt be a compellingforceinthecomingmonths.th&#8203,,e&#8203,, vocalson moments belongtosingerandsongwriter&#8203,,leostannard&#8203,,,&#8203,,who at only 20 years old is also part of the black butter family, and was recently supported by bbc introducing.

last copies worldwide! never seen before. beautiful high quality and unique hand-made wooden box with a knowone branding on top.
the boxes are padded with foam, handnumbered and very limited.

package contains:

handmade wooden box with hinges and lock.
5 records in 180 gramm black/white marbled vinyl with 110 min playtime.
each record has a different brightness or darkness to differentiate the 5 records.
each vinyl in single shrinked fullcover printed sleeve.
2 cds in a beautifull and shrinked high quality digipack.
a velvet band allows to lift the records out of the box without to move, tip or tilt the box.
a knowone record butler is also included to hanlde the records without touching them.
the whole box is padded with foam.
each box is handnumbered, branded on top and finally shrinked.

see the pictures below to get a clue about the quality of this collectors item.

texas recordings underground made its mark this spring with the well-received techno/electro cyber tex ep that featured electro wizard cygnus and e.r.p. aka gerard hanson. not to rest on his laurels, tx connects gavin guthrie is following that up with the 2nd release on the label by austins man-of-the-moment bill converse. themes.

the white man & the arab return with their fifth release, the exchange ep, further developing the sound that s made their previous four outings so alluring.informed by a range of cues that reflect the pairs influences, you can sense dub, ambient, minimal, a love for eerie melodies and raw deepness permeating from this ep’s start to finish. the a side kicks off with -on the floor- - a nod to the fact that the whole ep was crafted literally on the floor (the studio was in transition ) - signals what awaits the listener for the duration of the ep. moody pads, slowly progressing melodies and their signature syncopated drum patterns. -people say- follows next, instantly shifting up a gear - this is a solid dancefloor shaker with a simple but seriously effective bassline that will be lodged in your brain, a sharp hi-hat & clap combo and a disembodied, haunting vocal that chants along to the beat. flip the record over for the title track - -the exchange- - a reverb-drenched ethereal club cut that gets it s unstoppable sense of motion from the irresistible percussion workout, while the squelchy acid line adds that extra rawness. rounding off the ep -sideways- signals a distinct nod to detroit. no homage in sight though - it s been carefully distilled via their own signature processes resulting in a somewhat emotional, dubbed out track - perfect supplement for when you re starting to land back to earth

for the first time on vinyl, 3 years after gilles peterson launched the reflex career with it, and played by all top jocks worldwide regardless of their style, rock with you is re-imagined strictly from the multis, including unheard vocals and instruments. on the b side, grab yourself a piece of history as that edit of all night long was the last ever track to be played on the infamous terrace at space ibiza! originally made for the reflexs own wedding back in june 2016, with the vocals upfront and amazing strings which were buried on the original mix brought to the fore, beats tight at 109 bpm, its the first alternative version of its kind available for the modern djs.

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris’ final screen, it was the first time he became aware of electronic music at all. since then it actually hasn’t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden’s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to “robo dance”, dresden’s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so “lebensraum” unmistakably bears credit’s hallmarks. for his own music he’s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff – a lot of machine music.

lago santo was made for the road. inspired by a drive through the mountains and valleys of northern italy in the summer of 2016, mculo s new ep is a soundtrack for highways, torn maps, sunrises, glacial lakes, and the wind. opening with in retrospect, a motorik, driving number that climaxes with a synthesized melodic hook, the b-side softens into the shimmering, windows-down piano riffs of bra hugh. the title track wraps things up with dizzying psychedelic tones and a smattering of percussion. early dj support from san soda, dark sky, gratts and kong, chaos in the cbd, youandewan

hypnotic lines and machine made leaning trips for their 6th release with petter b.

thats desire/here we are ep is a 12inch vinyl and digital release by fragile, wolfgang tillmans evolving band project that spans from early recordings in 1986 with bert leßmann to a full band ensemble made up of a group of musicians in new york in 2016. the double a-side ep opens with thats desire, a collaboration with the new york rapper ash b. the song evokes associations with dfa, daf and a queer talking heads. in a spontaneous action ash b. takes over the mic and raps over tillmans heartfelt lyrics, originally written in 1985, combined with a funky bass line by thomas roach. the experiment results in a driving indie-dance sensation about the pleasure and pain of getting lost in ones own desire.

the second release on arcing seas by label heads cassegrain. this new material presents the duos very individual approach to tonality within the techno framework, combined with a subtle tribal influence. maintaining their aim, they keep things exciting for the club as well as sonically. label info: arcing seas is an anagram of cassegrain. it started out as a secret alias, releasing a couple eps on our circula sound. the secret was less well kept after the duo appeared at berghain under this name. a year later, after deciding to start a label, it finally made sense to bring the two together.

after just a few months to digest the last limited series 02 offering banoffee pies are back with more fruit for the basket. as summer draws to a close the imprint provide another value packed va courtesy of more local and previously unheard artists - this time following a slightly more coherent sound. 5 tracks all packed with drums, bongos, samples, and down tempo moods. made and compiled with care. sex, love, dancing. banoffee pies x

greek label lower parts is back with a cinematic new ep from athenean artist ioannis savvaidis. influenced by his love of old school computer programming, all four tracks are live jams made with classic yamaha machinery from the nineties. form start to finish this is an absorbing ambient release that transports the listener into the world of science fiction. gently unfolding and expanding in all directions, savvaidis invites you to cut loose and get lost in your own mind. some are tracks darker and more foreboding, some are airy and heavenly, but all together the ep acts as a movie lived out in the mind.

grab-bag 12” ep of electro, idm, breaks and house from montreal via ottawa producer riohv (aka braden thompson), which follows up the similarly map-jumping 1080-released “moondance” cassette from back in 2014. finding more confidence and proficiency in his own abilities as a producer, thompson was able to have a lot more fun and subsequently revise and update his sound to reflect his own tastes in records. the ep was made in one burst in montreal over the winter and spring. on “green room, it comes down to creating what he wants to hear—atmosphere through dreamy or moody pads, layered percussive elements, to pay tribute to the euphoria of early rave music.

these songs were made over the past 2 and a half years by uchi: luna (january 2016), was named after a talking cat. it s kind of a sad story. you will find some synth sounds, three different kick drums, and a couple hi-hats. it s kind of moody. you can take it as it is, or not. pride is poison (july 2014) ironically, it s titled after experiencing dosages of unhealthy relationships, though it might be the one people like the most. it s sad-ish, noisy, bouncie, and bassie? that about sums it up. inc (february 2016) is titled after the international noise conference, where it was recorded. actually it s a 3 part spliced zoom room recording of a 25min long improvisation, made in a punk bar. the argument here holds, is it really worth it to make perfect music? where is the concept of -live- in techno anyways? it doesn t matter. it s just a semi-distorted recording of a moment that meant nothing to almost no one, and yet it lives.

repress 2016 , the arrangements are compiled by a selected group of producers focusing mainly on rhythms made for building. we wanted to merge the idea along side true innovators of modern architecture and the thought process it took for reinvention during those times.

device control is jake reifs new solo production outlet which draws equally from the pools of early wax trax and medusa s with the hybrid pit jack of early farris or rush. machine made yet with a soul, all four cuts are for the true hyper jackers on the floor, tested and recomended. born in new york and spending his formative years in the mid-west, jake reif has served time amongst some of the best, producing alongside both mystic bill as well as reade truth releasing well recieved 12s on rong music and a break out remix on snuff trax in recent years. back in the day you could catch jake clocking hours working at sonic groove records among a motley crew of heavy hitters whilst honing his talent

brand new, rambunctious, rootsy, spiritual brass-band music from lagos, with singing, drums and home-made percussion. obadikah is a group of old friends who play together in the cherubim & seraphim and baptist churches of the ikeja and isale eko districts. a couple of them were founder-members of the eko brass band, they’ve played with pretty much all the key nigerian reggae artists. the tunes are mostly traditional yoruban melodies, often sung at bed-time. the songs are mostly original, sung in yoruba (though jomido is an egun song from the badagry area of lagos state).

ftwr presents its fourth ep. we are very proud to produce two artists who are part of our collective. louz and arno kamaz, these two artist are part of a band called normal m and have followed the musical flow that has been evolving in france. a1 is the main theme of this ep and it s a mesmerising track thats has guts. normal m have made an embellished track that expresses their good vision of electronic music. a2 there is in this groovy track a soft winter melody , that is great for easy listening in the morning , being a bonus track it is kind of an ode to sensuality. from paris with love. b1 vadim svoboda remix shows his vision of the track -a1 name-. as usual, he offers us a perfect remix with patterns that are what you would expect from him. b2 david k &#8203,&#8203,aerodeep remix is without hesitation, the most

official reissue of the 1992 mystic record classic! after -stolen moments- by onirico, flash forward delivers another gem produced by emanuele luzzi , under the oneiric name. the four-track 12- that made the history of techno-house scene worldwide. -a tone colour of onirico-, including -emphasis- and -blue envelope- was picked up also by luke vibert, derrick may and steve rachmad! really big tune! ltd repress

just in time for ade, we are more than happy to present a new release by one of our main protagonists since our renaissance. lehar has made a fascinating career in only two years, he is a key member in our label family as well as diynamic and plays gigs around the world. his -white diary ep“ is his most unique release so far, with two original tracks by him and two dub versions by uk house legend charles webster. -the cave- is a very touching track which again shows lehar’s love for deep but popish moments in his music. again, he has teamed up with l.a. singer rush midnight, who already lent his voice to -number one hero“, which was released earlier this year on the diynamic sub-imprint 2diy4. an instrumental version is also available in the digital package. the title track -the white diary“ is a demanding and hypnotic builder, which was already played often by solomun during the summer. this is a next level lehar track, signature sound structure combined with a highly effective arrangement. a winner for many situations. charles webster has been a favourite of the connaisseur label heads alex flitsch and martin henkel for ages. requesting a remix by him has been on the connaisseur bucket list since day one. he gave -the cave“ two different dub treatments, one better than the other. his -dub the first“ already takes the original one foor deeper, making it very timeless and hypnotic. his -dub the second“ takes it even deeper and is adding a proper portion of trippiness. music for the guardians of the real stuff!

nice price deal !!! on side a first we have the title track moonman - a heavy grooving soundship that rolls towards a wonderful arranged climax. round loops is a mental housetrack with nice oriental sounds. looks like bachner knows the secret of detroit music. the b side was made for the dancefloor. full of pressure and sportiness look for a spaceman is a stomper which tips over in a deep hole after the second break, played by len faki, andrew grant,...top de:bug review. mail out to over 200 opinion leaders (press, record stores, key djs).

nice price deal !!! belgium based artist olivier gr?oire aka kolombo, well known for his releases on labels like systematic, turbo, boxer or his own imprint viceversa, is coming up with a new ep on blufin. the steady & high quality of his productions made kolombo a key artist of the blufin rooster for a good reason: he never failed to impress us and sure is not about to start now. supplementing the release, italian producer daniele papini adds his modern interpretation of tweedle dee. we say yeah !!!

cottam s ruff draft label makes a logical move and turns to a long-serving champion of gritty, soul-powered house jams from the tough side. dj nature may have made his name many moons ago, but he proves to be as relevant as ever on this killer two-track release. -alfred- is a tightly wound box jam that manages to maintain tension throughout without needing to pander to the release part of the process, sounding all the more exciting for it. -blood on your hands- meanwhile finds nature heading into the scuffed, soul-sampling territory he s most at home in, and the ensuing rumble of off-key funk is impossible to refute.

them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka’s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.

remember when techno was all about creating the soundtrack for the future remember when there were no borders between styles or scenes remember when your favourite records were just white label vinyls, stamped with cryptic names this was exactly around the time edge of motion first made their mark on electronic music. even now, decades after they first burst on the scene, seminal tracks like set up 707 and albums like planet gong realities and ad hoc are still frequently played by techno s most revered selectors.

chicago has always been a place that had talented musicians. it has been a hub for soul, funk, blues, and jazz for generations. the significance of the real sound of chicago release in disco compilation terms is that many chicago private disco labels never made it out of the city. just like chicago house music...

huge remix package with works from thomas hessler, norman nodge, ron albrecht and the automatic message. the label from avion strikes with its 8th installment releasing a kicking remix package from the previous crossing 007 various artists. the release starts with the thomas hessler remix of “sut“ a track from the argentinian producer pfirter. thomas used the outer atmosphere bringing it to an upper tempo defining a groove made for the floors. norman nodge and his minimal trip from avion’s explosive track “thrill“. flimmering noises, a reduced drum and an atmosphere which is between lunatic and melancholic warmth. in ron albrechts remix of doka’s “mural“ the time is still running different, staying surreal wthout losing ist mood kicking off to move the floor. the automatic message lay their hands on stefan rein’s “amorphous material“ and stripped down the punchy and jacking atmosphere to a reduced version without losing its functionality and highlighting the characteristic synth pad to remain the smile factor of the original track.

greek producer markos spanoudakis aka kreon has certainly made an impact on the electronic music scene.his percussive and jazz tipped sound has found its place through solo releases for labels such as cecille, robsoul and many more seminal underground imprints. his latest offering on serialism has been widely received by a small handfull of the scenes elite who have been dropping tracks from the ep all summer hualtor kicks of proceedings with delayed vocal stabs that roll over a 4x4 kick and a doubled up snare. the bass groove cleverly pitches up and down and is completed with a series of shuffled hi hats which complete this minimalistic winner. up next on a2 is forpsyche, which encomopasses a tough and rolling drum selection with swing added for good measure, a sub bass, warm pads and erratic lead stabs bring the all the elements together nicely. third track ‘valtera’ then keeps to kreons signature laid back grooves, shuffling drum licks and the use of processed vocal stabs, the track seamlessly rolls with a series of lo-fi glitches and pitch shifted chord stabs. finally forpyke rounds off the package as it rolls out a sure fire drum selection full of swing and stripped-back percussive hits, repetitive chord textures ebb and flow throughout the composition which results in a truly hypnotic and raw dance floor killer, with intricate percussion patterns that are packed full of swing.

in records back in romania again, with another young talent: puxumos. the romanian house groover, which leads us into a deep and massive bass break anthem with his unique groove and way of keeping. a classic style old school house burner made for unique moments. enjoy!

after the release of their collaborative breed ep at the end of last summer, nicole moudaber and skin (from skunk anansie) have unveiled their highly anticipated remix package featuring a long list of respected producers. carl craig, fur coat, jamie jones, jerome sydenham, paco osuna, pan-pot and scuba, are just some of the names which have turned their hand to the project. originally born out of nicole and skin s desire to fuse their rock and techno backgrounds, this is a true collaboration project with a difference. the pair have also recently been sharing the stage at high-profile slots such as space ibiza and coachella. the first track on the second part see s don t talk to me i m dancin remixed by hot creation boss jamie jones, which features a thudding heavy bassline, and zebra katz vocals sampled over the top. the second track on the a side see s french emotive techno specialist paul ritch turns in an atmospheric, driving remix of these walls are made of water . first up on the b side is pan-pot s take on these walls are made of water , adding the duo s characteristic stomping touch, as well as dramatic new synth melodies. this remix is another nicole favourite, often featured in her sets and her in the mood radio shows. rounding off the b side jerome sydenham remixes don t talk to me i m dancin feat. zfk and takes the track into uptempo driving territory.

acclaimed be as one boss shlomi aber makes a big step up here by putting out a trio of his killer techno cuts on the always excellent and forward looking nonplus label run by boddika. his xy play ep continues in his no nonsense, floor facing style and impresses once more. shlomi aber is an underground titan who runs his own musical empire in the form of his be as one label. he has made it into an essential outlet for no frills house and techno and his own output has found him in fine favour with djs and dancers alike. playing all over the world and also serving as an expert at the emerging ibiza festival on the white isle, here he comes correct once more. the title ep xy play is a brain frying affair with cantering drums and stern synths bringing a dark and intone vibe to the groove. way old story is just as heads down but less ominous, here the synths are a little spooky and add intrigue to his slick rubbery drums. last but not least related sources is a hunched over house track with dub in its kick drums and a desolate industrial feel in the landscapes above. atmospheric from the first to the last moment, this is another killer ep from shlomi aber.

originally from brighton, kutmah made his name while living in the us, releasing some acclaimed mix tapes and building up connections with the brainfeeder & low end theory crews. in 2010 he was deported to the uk, lived in london for 5 years and now resides in berlin (while still holding down a show on the east london-based radio station nts). in summer 2015, prolific leftfield beatmaker kutmah released the 20-track instrumental beat album blk/smr on bandcamp. during march 2016 he selected & sequenced his favorite nine tracks for a forthcoming limited-edition 10 inch vinyl version of blk/ smr on hit+run.